Storyboard

after running through the list of scenes we decided to make a storyboard. we have tweaked this after filming by deleting scenes we did not do and adding in screenshots from our filming to create a more professional look.

Shot types we will use

As we have now structured which scenes in our trailer we are going to produce, we have come up with certain framing and shot lengths that we will use in particular scenes in order to create the right emotions and effectiveness. Close-up shot: To be used when DC Summers is handed the document by Toby. To be used when DC Summers is talking to Billy. To be used when DC Summers and DC Curtis are talking in the car. Medium Shot: To be used when DC Summers talks to Toby and treats his injuries. To be used when Toby is given a gun by the Drug Lord. To be used when DC Summers and DC Curtis kick down the door. To be used when DC Summers attempts to catch Toby. Low Angle Shot: To be used when DC Summers is chasing Tomas. Two Shot: To be used when DC Summers is chasing Tomas. To be used when DC Summers and DC Curtis are walking towards the camera. To be used when DC Summers is talking to Toby and treating his injuries. To be used when Billy shoots Toby. To be used when Toby meets the Drug Lord. To be used when DC Summers and DC Curtis kick down the door. To be used when DC Summers attempts to catch Toby. To be used when the car explodes. We are going to use a lot of two-shots throughout to show the relationships between characters. For a lot of these, it is either DC Summers and DC Curtis or DC Summers and Billy. This shows the main essence of the story and that these characters relationships are important for the audience to follow. these shots will also be used with Billy and Toby and Billy and The drug lord to show that they are all part of a criminal organisation. (Toby being an under cover ex-convict) The other shots were decided by how we felt we wanted the scenes to come across, for example a close-up of the exchange between Toby and DC Summers showing the importance of the letter throughout the supposed film.

character profiles

instead of a structured script, i decided that it would be better to take inspiration from other directors and create detailed character profiles of each main character in the film so that the actors could get an idea of how i wanted their characters to act. without a script the only thing the characters had to rely on was their character profile aswell as being able to ask me any furthur questions on their characters. these are their character profiles;

Scripting

Instead of using a script for our film trailer I decided to base my direction around Mike Leigh's early work and let the actors find their own style and create their own character as i thought this process may bring the characters a more rounded style. we did this by constructing a scene in wich all of the characters would enter and leave at some point. the actor would have to follow the story as it developed through the scene and could create a feeling for their character. in order that the scene did not dry out and stop running due to lack of ideas i used my character as a starting point and moved into the scene if the other characters were ever stuck. I also created character profiles for each character to help them get an idea of how their character would act and why.

Running order

One of my main jobs as director was to organise who was going to be where and when both on and off set. to do this i created a running order. Filming Day 1 (21/1/11) Cast needed:- Harry, Robin, James, Tomas, Myself Scenes:- 1, 2, 3, 5, 6, 14 9:00 Harry, Robin and I meet at the ivy leaf club car park and film scenes 3 and 5 11:00 James meets us at ivy leaf car park to film scenes 1 and 14 13:00 Robin, Harry and I move to to film scene 2 14:00 Tomas meets us at the layby at the edge of whittlesey to film scene 6 Filming Day 2 (//) Cast needed:- Harry, Robin, Jack, Myself Scenes:- 7, 9, 11, 12, 15, 16, 20, 22 9:00 Harry, Robin and i meet up at the ivy leaf car park to film scene 7, 12 and 16 13:00 Jack meets us at the churchyard to film scenes 20 and 22 15:00 Harry, Robin and I film scenes 11 and 15 at school in confrence room (booked out earlier in the week from 14:00 to 17:00) it was at this point that, after editing, we decided we already had too many scenes and our trailer's running time was over 7 minutes long theirfor we decided not to film any more scenes but to work with what we had got already.

Questionnaire

this is a copy of our audience research questinaire wich we will use to determin how to layout our final trailer after edditing. we used a website called surveymonkey to create our survey. i have included a hyperlink to the survey in case the pictures are un clear. http://www.surveymonkey.com/s/8JTVBND

Scene List

as the director I decided that after we had created a basic idea i should create a list of scenes in the order that they would be on screen after edditing. We sat down and discussed what kind of scenes we thought might bwe in a typical buddy-cop action film. The list of scenes is as follows:

Locations

Today we went out of school and looked in and around whittlesey for locations to film our trailer. this proved difficult as their were not that many places in whittlesey that had not either been built of re-built after the 1980's or had some form of moddern day object in them such as a plastic bin or a safety sign. we found some locations we thought may have been useful and took pictures to reffer back to later when setting the scenes and to give our group a more visual idea of the style and atmosphere we wanted for our film trailer. this picture is of the street which we will film our chase scene down.we will use the interior of robins car as a police car. this is another shot of the inside of robin's car. this is to show how some difficulties that may arise when filming might be the shape and ergonomics within the car as they are not inkeeping with the films tone.

this is a row of garrages that we may use for one of our scenes as it is very plain and the style is quite inkeeping with the tone of our piece appart from the plastic drainpipes.

this is a shot of the fenced off land around the train tracks in whittlesey this is a good location as the wherehouses around it are quite inkeeping with the overall tone and theme of our film.

this picture is of a wooden gate leading out into one of the alleys that we may use to film due to the darkness and simplicity of the wall structures wich will help with our chosen style. the door opens onto private property so when filming down the public alley we will need to ensure nothing is dammaged.

this is a photo of the same alley from a different angle. in this shot it is easy to see that the alley is a good place for us to film as it is long and so we can film in two different places and it will seem like two differewnt alley ways. also the surroundings are quite simplistic and basic. the scrached paintwork on the side of the right building also ties in well with our themes of an older and more grimey time and place.

this is a shot of the garrages allong one side of a quiet cul-de-sac. this will help us with filming as along with the fact that the colours and shapes of the buildings tie in with our themes the quietness of the area means we are un-likely to be disturbed whilst filming.

this is another shot of the same alley as in two pictures above. this shot easily shows how, although it is the same alley, it seems like two different places. also the curve of the alley will hide Any un-wanted traffic that may contrast with our style or set era.

this is a shot of the entrance of another alley. this also shows a picture of the back half of a car that we may use as it ties in well with the time period of our film.

this is a shot of the other end of the same alley as above. the elements in this shot all tie in well with our film as being set in the 80's ( the wood telephone pole and the square metal bin) and the setting of england with the common street name 'old crown lane'

this is a shot of the same alley as the two shots above but this one shows the dissimilarity between the two walls. although red brick is more steriotypical of a 1980's britan scene the mud wall is also acceptable as the overhanging branches create the look of a thached cottage. comonly found in 1970's and 80's films such as Withnal and I and The Assam Garden.

Genre change

When finding posters and trailers for deconstructing we noticed that a lot of our film ideas had already been taken. we also found that a few other groups were doing the horror genre and we wanted our piece to stand out. We came together and decided to re-think our plan and came up with a new idea following a different genre. We decided to do an action film based around the police and set it in the 1980's. this idea has been used a lot in TV in things such as starsky and hutch or life on mars, but has only been re-created in film with a handful of films such as the 2004 starsky and hutch film as usually films are based around one main protagonist who is facing unbeatable odds from the out-set. we decided that doing this would help our piece to be more origional.

questionnaire results

these are the results of our audience research questionairre. we have collected the results and sumarised them in a table.

questionnaire

we used this questionairre to ask the general public about their film prefferences as part of our audience research.

Research - Influences on our work

after discussing our change in genre we decided to research into what films and tv dramas would be the biggest influences to our work. we looked for three main features;

1. production: we looked at many dramas and found that they were based in America or even further afield. this was not a problem but we felt we should look at more English dramas and films to see the changes in style and technique.


2. reception: most of the things we watched were created in the mid 80's but some were not. we needed to see how well received they were by the audience and critics because we did not want to create a film which would then be a flop and not make it as a film. most of the criticism was good for the modern day films and TV dramas. this was good as it meant we would be able to run with this idea


3. style: in order to create a more realistic piece we had to base our work around others without copying them. for this we had to pick what films or dramas would most influence our piece. after a lot of research we decided that our two biggest influences would be the 2004 Starsky and Hutch film and the 2007 TV drama Life on Mars.

Reasearch - Mike Leigh

I had already researched a little into mike Leigh but, as we were going to be using his ideas on directing and characters, i thought it would be better to have more focused research on him. for this i decided to use Wikipedia, IMDb and google to find out as much about his directing style as i could. I also suggested to the rest of my group that they do more research into his methods so they would have a clear understanding of his methods and what i was going to ask of them. I then watched some of his films in which he uses the actors improvisation instead of a script, such as life is sweet.

Whilst researching Mike Leigh i discovered; Most of his work in theatre and film is done without any initial script. He and the actors improvise their characters and the scenes under his overall control. This is what i intend to do with our piece as i think it will give the characters a more realistic look.

He became an Associate Member of RADA (Royal Academy of Dramatic Art) as have many famous actors and directors such as Sir Derek Jacobi and Sir Anthony Hopkins. He Graduated from RADA and moved on to the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid 1960s. in the 70's and 80's he began to work on film and developed his "kitchen sink realism" style.

He was made a Fellow of the British Film Institute in recognition of his outstanding contribution to film and television culture. He was awarded an OBE (Officer of the Order of the British Empire) in the 1993 Queen's Honours List for his services to the film industry. This shows that he is a well known director and has been awarded for his films.

Using a well known, praised directors style to create my own will help as i will be able to see if it works and if not then i will use a different method. this will become clear after our first session of filming, however i think that this will work as having looked closely at his films and seen interviews in which he tells the audience of his style, I now have a better understanding of his work.

Research - Directors

After discussing different roles in our film and different roles out of our film such as camera man, sound man, editor, etc. It was decided that Robin was going to do most of the camera work, harry would be in charge of costume, jack would be in charge of locations and I was going to be the Director. I decided to do some research into directors and direction in order that i would know what to do and have a better understanding of what it was that i would be doing. the first director i chose to look at was Guillermo Del Toro. i had already watched some of his works but i was interested in knowing his methods and whether or not he used a certain type of signature shot like some directors do. Guillermo del Toro Gómez was born in 1964 in Mexico. he has worked to create brilliant films in both modern film and Mexican cinema. he was the director for such films as hell boy and pans labyrinth. he has always been into insects, clockwork and monsters and he uses these features in many of his films. although he does not have a signature camera shot, both darkness and clockwork are themes in a lot of his films and this could be seen as a signature of his films. the next director i looked at was mike Leigh. He was born in 1943 in England. directed such films as Life is sweet and Topsy Turvey. most of his films are set in England an have a very realistic approach in terms of set and characters with elaborate individuals amongst the normal people. he is also very well known for using improvisation to create characters and story lines in his plays instead of using a strict script. he sets up ideas of what he thinks might happen, gives the actors a starting point and then lets them determine their own 'fate' Intimate moments are explored that will not even be referred to in the final film to build insight and understanding of history, character and inner motivation. this gives the actors performances a more realistic and simplistic edge. this improvised planning approach is his signature and i will think about doing a similar concept with our group although i will probably have to modify this technique slightly due to time and the fact that we are not creating a whole film but just extracting parts of an imaginary film into a collective collage of clips. the third and final director i looked at was Neil Armfield. he was born in 1955 in Australia. I particularly focused on his film Candy (2006) which is set in Australia but like mike Leigh's work takes on a fairly simplistic approach and does not contain many special effects. Armfield uses a house style for Candy by his use of unusual angles for the scenes in which the main characters use drugs to show how the drugs are effecting the minds and eye-sight of the characters. he is also well known for using a dutch angle in scenes in which one or more characters perspective is twisted. i also looked at the work of Matthew graham, tony Jordan and Ashley Pharaoh. the creators of life on mars and ashes to ashes, two TV dramas which were based in the same time period as our piece and focused on the same idea as our project did. i watched some you tube clips of ashes to ashes and i was able to acquire a copy of the life on mars box set so i was able to watch closely and pick out key elements of the programme which aided in the appearance of the time difference and setting. i was able to depict three main points;

1. the characters were able to act more expressively due to the fact that their were less political correctness laws at that time. although this will be hard to add in to our piece we may be able to do this solely through our physicality.


2. the setting was all inkeeping with the time period. after reading articles on this matter it turns out that they made a grievous continuity error when filming as a car is seen in one of the chase scenes which was not manufactured until two years after the date the series is set. we shall not make the same mistake in our film although given our limited budget this may prove difficult.


3. the clothing of all of the characters is inkeeping with the time period. we will have to discuss this and research more when we discuss costume at a later date. as we are on a very limited budget costume may be a key factor in re-determining the time period of our project.

conventions of the action genre

Due to the fact that our film will be a buddy-cop, action film, we decided to do a couple of posts detailing the basic conventions based around a these genres. from our initial research we have found that one typical convention of the action genre is the heroic main character who is usually male and in a lot of films starts off in a lower status and does not want to be a hero. this is seen in films such as Hancock and Die Hard. the 1980's are well known as an era for action films and the birth of the buddy-cop action movie. with films such as 48 Hours and Lethal Weapon we can see that another typical convention of this genre is to have a very typical, low budget plot line with a pair of "cops" with martial arts or sharp shooting skills facing unbeatable odds and eventually capturing the main antagonist(s) at the end of the film. another convention of the action genre, particularly used around the later 1980's is the mixing of two genres such as sci-fi and action with films such as Terminator and Robo-Cop, horror and action such as Alien or Predator and even comedy and action such as Dragons Forever and Beverly Hills Cop.

Group magazine cover de-construction - Iron Man

Our group magazine deconstruction is from the magazine 'Empire' which is a very famous magazine. It is seen officially as the most successful magazine in Britain above Total Film and we as a group felt that we had to take inspiration from a magazine that is so popular with British films. Also the fact that the front cover broadcasts action film genre, which is our chosen genre for our trailer, makes it obvious to us to want to use it as a basis and inspiration for what we want to do in our film magazine cover. The main feature of the magazine cover which jumps out is the picture of the main protagonist Robert Downey Jr as the 'Iron Man'. The use of costume attracts the audience as it is shows off his strong physique. This is typical of a main protagonist in an action film as he is strong and fierce. Also his stance of clenching his fists and frowning shows power and this is a big feature of a magazine cover. The character also appears to have a head in his hand and a bright device on his body. This is very common of action films as the audience will want to know what the thing is on his body and what and why he is holding something in his hand. The fact that the name next to the picture (Robert Downey Jr) is so famous, this makes the audience think that it is going to be a really good film as it can attract a top film star. There is also a small phrase next to the picture which says: "Attitude? You damn betcha!." This is effective as a lot of main characters in all films have an iconic catchphrase which represents their character personalities; with this one showing his dominance and attitude. The use of colour is also a strong part of this magazine cover. The use of red in the main magazine title represents danger and suspense, which is what an action film genre is strong at producing if successfully made. The fact that most of the other colours used in the rest of the cover are lighter or more faded than the title makes it stand out more; and therefore the audience are drawn to this along with the title. Both of these things are what the producers want. The use of a grey faded background is effective for this cover because it gives off the idea of somebody walking through it. This leaves the audience on the edge of their seats and they are wondering what is through the murky mist. The only other colour used apart from those already mentioned is white. This is an effective colour as it is the perfect colour to mix in with red and grey. It is very bright and stands out over the text which is in smaller print. The use of the sub-title also escalates the magazine and makes the audience want to read more into the magazine. 'Meet the new action A-list!' is very cleverly included as the audience will not know who the 'a-list' are. They will then want to know and buy the magazine. The use of the exclamation mark also gives off the tone of excitement and shock which is what they want their audience to feel when reading this statement. To the right-hand side of this magazine cover, there is the use of images from other films with famous actors which the audience will recognise. This improves the magazine as there is more for them to find out about, rather than just the film used as the main attraction in the centre of the magazine. For example, the top picture shows Shia LeBeouf, who is one of the most successful actors of recent times. The audience will want to know about his film as well, as it is similar in many ways to Iron Man. Also the use of additional features which show what else in the magazine, shows the depth and quality of the magazine. The fact they have squeezed in the information at the bottom shows how much the magazine has to offer to its audience, and it also is of very high quality and the audience will know and want to read about them as well. Overall, they get a lot of quality for money when reading, which is what we want to do for our magazine cover. This has proved to the group through careful and concise research why this is one of the most successful magazines out there. The features of this magazine are very strong and we will aim to use these, challenge them and develop them as best as we can. We know that if we can get it near to the standard of this magazine, we will have produced a top-notch magazine cover.

Group Poster De-construction - Starsky and Hutch

this is a picture of one of the promotional posters for the 2004 Starsky and Hutch film. As this film was a big influence on our group we decided it would be a good idea to use it for our group de-constructions. the poster is a picture of a car which, from prior knowledge, we can tell is the iconic red Gran Torrino from the 1980's TV series' of Starsky and Hutch which the film is based on. we can tell that it is this car from the iconic white decal on the side of the car. the white of this decal is mirrored in the title.

the wheel of the car is spinning, this can be seen by the smoke around the tire. this is probably an effect put on the picture in editing but it has been used to show the fast pace of the film itself and makes the audience want to see the film.

in the reflection of the car we can clearly see palm trees. this sets the scene as their is no background to the picture. this has probably been done to draw focus solely to the car as this is the main focal point of the poster. this is also mirrored in the cars wing mirror which upon closer inspection seems to be added in.

below the text their is some writing in a different shade of red, this text is a mixture of the cap line of the film and the release date. this is a good use of space and a clever effect as it makes the audience think and therefor remember it.

the overall effect of the poster is sharp and bold. the reds are deep and the car is shiny. this shows it as being a mainstream film and not an amateur piece.

we will have to experiment with effects when creating our poster, this will make it seem bolder and stand out.

Magazine cover de-construction - Total Film magazine

this is a picture of the September 2005 issue of Total Film magazine's cover. i chose this particular magazine cover as the main story seemed to be similar to our idea; an action comedy, set in an older time with police and crime prevention as a plot line. This magazine cover has a large picture of a film coming out at that time. like most magazines they have used this image as both a back and foreground by obscuring part of the magazine title with the head of an actor. we will incorporate this feature into our magazine. another useful and common feature of film magazines is to include articles about films which have not been brought out yet. although we will not be able to create actual articles we can create captions as if our magazine had the articles within it. we can also include pictures of the actors within these films and quotes from the actors. these are both also common features of film magazines although have not been used in this particular one. the title of the film that they have used as the main picture has been written in a suitable font and has been coloured to both stand out and tone in with the picture. this is another feature of film magazines and shall be used in the construction of our film magazine cover. their are also articles listed on the cover as small headings posted arround the body of the large actors picture. their titles have also been toned in with the background. another feature of this magazine cover is the pictures at the top giving a clue as to what one of the other articles is about and what films may come out in the near future. this shall also be featured in our magazine cover. we can find news on upcoming movies from sutch sites as IMDb and comingsoon.net i have also noticed that most film magazines have a bar-code in either the top of bottom right hand corner. for our group this will be decided upon wich one suits our oicture and text format better.

Poster de-construction - Gremlins

Gremlins is an action sci-fi comedy film made in 1984. it is about a boy who gets a pet for Christmas but he has to follow some rules. he fails to follow these rules and bad things start to happen as the pet creates a set of evil gremlins. i chose this poster for my de-construction because i felt that, although it was a professional film poster its style and quality would be achievable b us with a very menial budget.

for example the white background with a Shadow peeling across it would be very simple to create with the schools editing software as would the light spot on the wall partially blocking the Shadow however this is a link to the film itself and so may not be necessary on our poster. also the use of distortion in this poster as the shadow of the gremlin does not fit the physical object in the shot is another feature we may look into using in our poster.

the title on the poster also shows features of a 1980's film poster as it is bold and stands out from the text instead of fitting in with the background like films of today such as Shrek or Casino Royale. also, it has a font which fits in with the themes within the film such as childishness and disorder.

the tag line under the title is also a feature we shall include in our poster. it easily sums up the film and gives the reader an idea of what the film is about, enticing the audience and making them want to watch the story.

Film trailer de-construction - The Descent

The trailer opens with the caution message on a green background. this is customary for trailers shown in cinemas as this tells the audience that the trailer is going to be age restricted with scenes of violence and gore or sexuality. this provides the producers of the film with liability for anyone under the verified age who see's this. the shot then quickly changes to the producers logo with an eerie effect on the background, this typically shows that this will be related to the film and helps set the mood for the audience, they will now be in anticipation of what may happen in the film. this then fades to a short extract of the film, one of the main characters is taking a group photo of the other people who are with her in the wooden camp behind them. this shows the setting of the film and also helps the audience get a clear picture of the characters relationships with each other, it becomes clear that they are on an expedition of some sort. the audience can tell that the woman is a main character as she has the opening line, she is alone in the shot, she is in control within the scene and she is filmed in a clear mid-shot focusing on her face and showing her authoritative status. as she takes the picture the image goes to a still shot of the others in black and white. this could symbolise a memory or the scene as being in a flashback the image fades to darkness and the audience see an Arial shot of a highway cutting through a Forrest. this quickly changes to a scene with people in a car talking so the overhead shot was to establish the scene two women are in the car talking and laughing, they are obviously friends. the camera then cuts to one of the women throwing a rope down from where she is standing at the top of a rock face. the camera then follows the rope down to the inside of a pot hole cave with the rest of the team from the photograph. we see a close up from a high angle of one of the explorers standing under a drip from above, she gets called to by another woman and the camera changes to an extreme close up of her applying her safety harnesses the camera then cuts to darkness and is re lit by the head torch of one of the explorers as they clamber through the darkness deeper into the hole. this is done for a few minutes with different shots such as panning and close ups etc. this shows a lapse of time and gives the impression that they are going further and further down. these shots are broken up with words such as 'claustrophobia', 'disorientation', 'hallucination' and 'fear' written in small, hazy font, mimicking the atmosphere of the dark, cramped setting. towards the end of these the audience can see shots of the characters clambering into a bulge in the tunnel. this is followed by a mid shot with a green filter as if being shot through a night vision camera. the audience can see a woman talking to another woman, as she looks at this woman the camera zooms round to view her. when the camera zooms back the audience sees the first woman standing with a shadowy figure behind her, the shot does not freeze for long enough for the audience to focus on him but just long enough for them to see that this is not right. this is followed by shots of people running, the camera is in a handheld position so the audience can only see a flurry of blurry images this is then slowed down by a short shot of a head torch glowing dimmer and dimmer as the power drains out of it. the camera then changes to a shot of one of the explorers stuck on a rock. she is panicked. after a few more shots of caves and tunnels being lit by overhead torches one of the explorers ignites a flare. the camera then increases in brightness, this then quickly changes to a new shot (this effect is like the one at the beginning where the flash of the camera was used to change to the next scene) the next shot sequence shows the group all crowding round the flare watching the walls, these shots have quotes flickering at the side of the screen from different critics who have seen the film and have given good reviews. these shots show what happens after the first attack when the torch went out. the title then appears in the same misty font as the key words before but in a much larger font. the titles fade away to three clips of some of the explorers fighting the beasts. this then changes again to the end notifications and the coming soon end title which is another convention of the modern movie trailer.

De-Constructions brief

as part of our groups research we were advised to de-construct a film trailer from the same genre as ours, a poster from the same genre as ours and a film magazine cover with the main article being from the same genre as ours if possible. we were to do one set of these each and then one set as a group.

The Brief

To create a promotional package for a film. this should consist of;

• a two minuete long teaser trailer of our film


• a poster for our film


• a Film magazine cover advertising our film as the main feature article

we were directed by the teacher to form into groups of about four. our group consists of; Robin Hutchinson, Harry Booth, Jack Jenkins and myself. we then set about the task of creating a time plan to assist us in our project with regards to time mannagment and co-operation.

after this we started to discuss genres we might choose. after much consideration we had three genres to choose from; Horror, Sci-Fi and Action. we decided to go for Horror as we thought that Sci-Fi may be too difficult on our small budget and an action film would be to dull against all of the action films of today.

Time plan

this is a copy of our time plan. we have structured it on a weekly basis giving us an achievable ammount of work to do each week. Some of the tasks we have allocated to certain members of the group who were either very interested in this particular task or who we as a group thought could achieve the task most efficiently.

Although we plan to stick to our time plan if things do not all go according to plan we may make some changes to the plan.